william r clark wills som dukade under av utmattning under aterfarden fran kusten i norr tillbring ade sina sista dagar i en sadan har mia mia infodingshydda, soder o
ID: 59325
william r clark
1829-1912 Related Paintings of william r clark :. | cooks fartyg endeavour uar battre utrstat for vetenskapliga andamal an nagot fortyg dessforin nan | sadana har enkla stegar hade man vid bergs bestigning pa 1852 talet | ett av livingstones storsta ognblick i afrka var da han i november 1855 upptackte victoria fallen i zambeiftoden | ovan | tva ar senare flog fransmannen fean pierre blanchard och amerikanen fohn feffries aver engelska kanalen fren dover till en punkt nara calais | Related Artists: Alexander Ivanov 1806-1858
Russian Alexander Ivanov Galleries
was a Russian painter who adhered to the waning tradition of Neoclassicism but found little sympathy with his contemporaries.
Ivanov studied together with Karl Briullov at the Imperial Academy of Arts under his father, Andrey A. Ivanov. He spent most of his life in Rome where he befriended Gogol and succumbed to the influence of the Nazarenes. He has been called the master of one work, for it took 20 years to complete his magnum opus, The Appearance of Christ before the People (1837-57).
It was for the next generation of art critics to do him justice. Some of the numerous sketches he had prepared for The Appearance have been recognized as masterpieces in their own right. Although Ivanov's major painting is a gem of the Tretyakov Gallery, the most comprehensive collection of his works can be viewed at the Russian Museum in St Petersburg. John Douglas Woodward 1846-1924 Luce, Maximilien French Pointillist Painter, 1858-1941
French painter and printmaker. He was born and brought up in the working-class surroundings of Montparnasse, and an interest in the daily routines and labours of the petit peuple of Paris informs much of his art. After an apprenticeship with the wood-engraver Henri Theophile Hildebrand (b 1824), in 1876 he entered the studio of the wood-engraver Eugene Froment where he assisted in the production of engravings for various French and foreign publications such as L'Illustration and The Graphic. He also sporadically attended classes at the Academie Suisse and in the studio of Carolus-Duran. In Froment's studio he came into contact with the artists Leo Gausson and Emile-Gustave Peduzzi